Julio Larraz, Retrato de Familia (Family Portrait), 2014
Courtesy Ameringer McEnery Yohe

In diplomatic circles, the thaw in Cuba-U.S. relations may be happening mostly behind the scenes. But the same cannot be said for the art world. The past few months have seen several major gallery shows of contemporary Cuban and Cuban-American artists—and nowhere more than New York City, where no fewer than seven solo and group shows will be on view this month. Here’s a quick guide to where to find Cuban contemporary art in Chelsea in October.

From Empire: Sea, Enrique Martínez Celaya, The Bloom, for the Wilderness, 2015
Courtesy Jack Shainman Gallery

Enrique Martínez Celaya – Empires: Sea and Empires: Land at Jack Shainman Gallery. Following up on its Yoan Capote exhibition this summer, Shainman presents another single-artist show filling both its Chelsea spaces. In his debut with Shainman, Enrique Martínez Celaya opts for two distinct but related shows: one exploring land as a metaphor for what is knowable or imaginable, the other in which the sea represents ungraspable mysteries. Despite appearing in separate galleries, the entire body of work is interconnected, with each piece working to reveal, obscure, affirm, and occasionally undermine the others.

From Empire: Land, Enrique Martínez Celaya, The Empire, 2015
Courtesy Jack Shainman Gallery

In an artist’s talk presented just before the show’s opening, Martínez Celaya observed that his work is better known in the U.S. and Europe than in Latin America. Although he doesn’t necessarily want to be identified as “the Cuban” or “the exile,” he noted that an exhibition of his work is being planned for 2017 at the Museo Nacional de Bellas Artes in Havana.

Through October 24.

María Martínez-Cañas, Black Series Untitled 015, 1980-81
Courtesy Julie Saul Gallery

María Martínez-Cañas: What Remains at Julie Saul Gallery. “For me, photography has almost always been about erasing, about removing,” the artist told Cuban Art News in an interview last month. “By removing, by fragmentation, I can then layer and create a new realism that allows me to work in a very personal manner.” Martínez-Cañas uses photography as a way of “dealing with the issues and ideas and concepts that have to do with my life.” In that sense, What Remains is about “what is left behind, what is allowed to be present because everything else has been removed.” The exhibition showcases some of her earliest work—much of it never previously exhibited—alongside recent pieces that frequently explore similar themes.

Through October 24.

Installation view of José Parlá: Surface Body / Action Space at Bryce Wolkowitz Gallery
Courtesy Bryce Wolkowitz Gallery

José Parlá: Surface Body / Action Space at Bryce Wolkowitz and Mary Boone galleries. As a Cuban-American artist, Parlá has written, “I explore the crossroads of life on the hyphen between Cuba and the United States.” In this double show at two Chelsea galleries, Parlá references his Cuban heritage in colorfully painted concrete sculptures that resemble crumbling city walls. In the works in the show designated as Surface Body, he wrote, “I contemplate wall structures, cities and the State as being political borders, with opposing polarities, whereas Action Space employs a fast calligraphic mark, in juxtaposition with vast spaces of color significantly symbolizing personal freedom.”

At both galleries through October 31.

In Entre nos: Rafael Arzuaga, Mirror without Sorrows, 2009
Courtesy Cuban Art Space

Entre nos at Cuban Art Space. In a salute to the warming trend in Cuba-U.S. relations, the Cuban Art Space gallery at the Center for Cuban Studies is presenting a side-by-side exhibition of artists working on the island and in the U.S. “This is the first show we’ve done with an equal number of artists from here and there,” reads a statement on the CAS website, “and we’re doing so because circumstances are changing: more and more Cuban artists are able to travel and show their work in the U.S. An increasing number of Cuban artists living in the U.S. are traveling to Cuba once again to show their art there.”

The show features work by more than a dozen artists, including José Bedia, Elsa Mora, Mabel Poblet, Ibrahim Miranda, Clara Morera, and Tonel.

Through November 7.

At Robert Miller Gallery: Arlés del Rio, La necesidad de otros aires (The necessity of other airs)
Courtesy Robert Miller Gallery

Nuevos Colores at Robert Miller Gallery. Generously spread through a large gallery space, this exhibition showcases 15 artists and artist groups currently working on the island.

The full list of participating artists includes Lidzie Alvisa, Abel Barroso, Elizabet Cerviño, Ariamna Contino, Arlés del Rio, Roberto Diago, Roberto Fabelo, Aimée García, Manuel Mendive, Jorge Otero, Carlos Quintana, Ernesto Rancaño, Esterio Segura, Stainless, and Rachel Valdés Camejo. For photos of the exhibition opening, see the album on the Cuban Art News Facebook page.

Through November 14.

Carlos Estévez, The Battle of the Scissors
Courtesy Denise Bibro Fine Art

This Thursday, October 8: Carlos Estévez at Denise Bibro Fine Art. Estévez is one of three artists in Appropriations, a show that applies the concept of “found objects” to both art-making and the re-examination of longstanding cultural icons. Estévez’s three-dimensional objects are spotlighted along with recent collages. The opening reception runs 6–8 p.m.

Through November 7.

Next Thursday, October 15: Julio Larraz at Ameringer McEnery YoheOn Thursday, October 15, Julio Larraz opens a solo show at this Chelsea gallery. Known for his skilled handling of light and shadow, and for the enigmatic narratives embedded in his paintings, Larraz’s early experience as a political cartoonist emerges in his incisive, often humorous depictions of individuals. “Julio’s upcoming exhibition is his inaugural since joining the gallery in the spring of 2014,” says gallery co-director Miles McEnery, adding that “his collector base is global, discerning, and sophisticated.”

Through November 14.