Celebrated Cuban actress Alina Rodríguez died on July 27, at age 63, of pancreatic cancer. One of the most distinguished stars of Cuban stage and screen, she was beloved for her versatile talent and her nobility of spirit. The Cuban press has been filled with homages and remembrances. Alina Rodríguez was born October 4, 1951, in Havana, and graduated from the Instituto Superior de Arte (ISA). She went on to create memorable roles in theater, television, and cinema in Cuba. Her final role as the stern but loving teacher, Carmela, in the movie Conducta (Ernesto Daranas, 2014), earned her international renown and multiple awards.
But Cubans knew and loved her long before that, from her stage and television appearances. She was the proper housekeeper Justa, in the long-running telenovela Tierra Brava, set in pre-Revolution Cuba; and she incarnated the title role of the voluptuous prostitute Maria Antonia in the 1990 film by Sergio Giral. On stage she starred in the comedy Contigo pan y cibolla, by Hector Quintero, and recreated the role of Lala Fundora—the 1950s housewife trying to keep up appearances—in the film version, directed by Juan Carlos Cremata and released in 2014. In addition to starring roles, Alina—like many Cuban actors—also appeared in smaller parts: she was a bag lady in an earlier film by Cremata, Chamaco (2011), and played the nurse, Sandra, in Vestido de novia (Marilyn Solaya, 2014).
Alina was quoted as saying that she had no preferences for a particular character, she just wanted to do good work: “I have nothing specific that I want, no character, but I am interested in roles that say something, that have something interesting to say, that make people reflect, and that move people, whether it’s a good character or a good script, something that doesn’t always happen, that doesn’t always touch us.”
Actor Enrique Molina, her friend and frequent co-star, stated that we won’t encounter another actress like Alina, with the ability to enter fully into a role, who never tried to stand out, and with a level of Cuban authenticity impossible to equal.
The following video homage (in Spanish), by CiberCuba, includes brief excerpts from some of Alina’s most famous roles: