Close-up detail of a work by Lázaro Saavedra in the solo exhibition Base / Superestructura at the Wifredo Lam Center.
Photo: Ribogerto Otaño Milan, courtesy Cuba What’s On

NOTE: Sharp eyes noticed that we had inadvertently omitted the news item about the upcoming Belkis Ayón exhibition in Los Angeles. It’s there now, near the end of the column, under “Save the Date #3.”

Saavedra in Havana. Base / SuperestructuraLázaro Saavedra’s solo exhibition in honor of his winning the 2014 Premio Nacional de Artes Plásticas, fills both floors of the Wifredo Lam Center—a change from the Museo Nacional de Bellas Artes, which presented the winning exhibition last year. Referencing Marxist economic theory, Saavedra’s works on the ground floor form the “base” for reflections on the “superstructure” found on the upper floor. Curated by Corina Matamoros, the exhibition includes interventions, installations, paintings, and video. On view through March 16.

Photo: Cuban Art News
Sketch and reality: Lázaro Saavedra, El progreso de una nación, with a film image projected from the open hood of a car. The drawing is from the exhibition catalogue for Base / Superestructura.
Photo: Ana León, courtesy

And coming next at the Lam Center. Ten days after Saavedra’s show closes, architecture jumps into the spotlight with La madre de todas las artes (The Mother of All Arts), a group show exploring its influence on contemporary Cuban art. Curated by Nelson Herrera Ysla with the assistance of Loliett Marrero, the show includes work by more than 60 artists and artist groups. On view March 26­–May 7.

Coming to the Wifredo Lam Center: Ibrahim Miranda, Marea I, 2014, from the La Marea series
Courtesy Wifredo Lam Center

La piel del otro at Villa Manuela. Also opening March 26, this group show explores unconventional approaches to photography—technical, thematic, and otherwise. Tackling topics ranging from race, gender, and identity to the shifting role of photography as a means of self-projection and –affirmation, La piel del otro (In Someone Else’s Skin) features works by eight established and emerging artists, including René Peña, Jorge Otero, Daylene Rodríguez, and Lidzie Alvisa. At Galería de Arte Villa Manuela through April 15.

Comercio de rescate at Galería Servando. Opening this Friday, March 11, this group photography show features work by a dozen artists, including Juan Carlos Alom, Ezequiel Suárez, Reynier Leyva Novo, and Ximena Holuigue. Curateted by Abel González Fernández, the show opens with a reception at 7 p.m. on Friday.

Los Carpinteros in Mexico City. At UNAM, the art duo opens a solo show at the Museo Universitaro de Arte Contemporáneo on March 17. The event opens with a 5 p.m. conversation between the artists and the show’s curator, Gonzalo Ortega, followed by an opening reception at 6:30. The show runs through September 4.

Instinto básico in Rome. At the Instituto Cervantes in Rome, Instinto básico: Papeles desde Cubapresents more than 100 works by close to 60 Cuban contemporary artists. The common denominator: paper as the primary material for a host of diverse paintings, drawings, installations, collages, and photos. Organized by the Cuban Embassy in Italy and the Consejo Nacional de las Artes Plásticas (CNAP), the show runs through April 2.

A view of Fabián Peña, Death of a printed Story, in a 2014 installation at Dimensions Variable gallery, Miami.
Courtesy Miami New Times

Emerging artists win CIFO grants. CIFO has announced the winners in its 2016 Grants and Commissions. Among the ten recipients are two Cuban winners in the emerging artist category Fabián Peña and Fidel Garcia. All artists will be part of the annual exhibition scheduled at CIFO for September 1.

From the exhibition Promising Paradise: Cuban Allure, American Seduction, opening in May at the Wolfsonian-FIU.
Courtesy Wolfsonian-FIU

Save the Date: Promising Paradise in Miami. At the Wolfsonian-FIU, Promising Paradise: Cuban Allure, American Seduction focuses on the Cuban tourist trade before 1959, and its influence on U.S. popular culture. Drawn from a gift of more than 1,000 objects—films, photographs, posters, travel brochures, and more, from the collection of Vicki Gold Levi—the show is curated by the Wolfsonian’s chief librarian, Francis X. Luca, and Rosa Lowinger, author of Tropicana Nights: The Life and Times of the Legendary Cuban Nightclub. The show runs May 6–August 21.

Roberto Diago, two untitled works from the series El Alma de las cosas, 2015
Photo: Cuban Art News

Diago in New York. Late last month, Roberto Diago opened a solo show at Magnan Metz Galelry in Chelsea. Marca en la Memoria / Imprint of a Memory includes several works in his Variaciones de Oggun series, collaged from metal and wood, as well as the installation Ciudad en ascenso and works from a new series of patchworked, off-white canvases. On view through April 9. For images of the show and the opening, see the photo album on the Cuban Art News Facebook page.

José Ángel Vincench too. A block away in Chelsea, Vincench’s first solo show in New York is on view at 532 Gallery Thomas JaeckelThe Weight of Words continues the artist’s exploration of words as inspiration for concrete and geometric abstract works—here executed in gold leaf. Other works in the show include a series of “action paintings,” also done in meticulously applied gold leaf, and abstract sculptures based on words. For images of the show and the opening, see the photo album on the Cuban Art News Facebook page.

José Ángel Vincench, Action Painting, 2016
Photo: Cuban Art News

And Gladys Triana. At the Instituto Cervantes New York, Gladys Triana: Reflections of Shadowspresents a video trilogy and a selection of photographs from four series since 2008. Co-sponsored by the Centro Cultural Cubano de Nueva York, the show runs through March 18.

Bruguera in Conversation. Following this weekend’s presentation of her interactive performance work Referendum (2015) in Union Square Park, Tania Bruguera speak at the CUNY Graduate Center next week. “The Artist as Activist: Tania Bruguera in Conversation with Claire Bishop” is open to the public, but reservations are required. March 17, 7:30 p.m. More info here.

Esquivel in GeorgiaNext Tuesday, March 15, Alexis Esquivel will present a lecture titled “From Queloides to Drapetomanía: The Theme of Race in Contemporary Cuban Art.” In his talk, Esquivel will consider a series of exhibitions, presented in Cuba and internationally over the past 18 years, that examine complex issues of race in Cuba. 12 noon at the Willson Center of Humanities & Arts at the University of Georgia in Athens.

Alexis Esquivel, Unforgettable, 2014
Courtesy The Farber Collection

Save the Date #2: Lisson Gallery in NYC. London’s Lisson Gallery is scheduled to open a branch in Chelsea, just under the High Line, on May 3. The gallery will debut with a solo show of recent work by Carmen Herrera, who turns 101 that month.

Save the Date #3: Belkis Ayón in L.A. This fall, the UCLA Fowler Museum will host Nkame: A Retrospective of Cuban Printmaker Belkis Ayón. Slated to open October 1, the exhibition is organized by the Belkis Ayón Estate and curated by Cristina Vives. More info to come.

Music at Americas Society. Cuban composer Amadeo Roldán will be spotlighted in an upcoming concert at the Americas Society on New York’s Park Avenue. The “Modernismo Rumbero” concert on March 28 will feature the 1930 composition Ritmica no. 1, along with two works by Mexican composer Carlos Chávez. More information here.

Closing Distances/Cerrando Distancias 4 tours Cuba. Usually, this documentary film program brings Cuban films to the U.S. Now, for the first time, a U.S. filmmaker will tour Cuba. Andrés Caballero will present Gaucho del Norte, his feature documentary about a Chilean shepherd recruited by a U.S. rancher to herd his livestock across the desert and mountains of the U.S. West. Presented by Americas Media Initiative, organizers of the Closing Distances program, Caballero’s tour will run March 11–18, and will take him to Cienfuegos, Santa Clara, Caibarien, Cienega de Zapata, Matanzas, and Havana.

Houston Latino Film Festival. The debut edition of the festival runs March 25–27. The schedule isn’t online yet, but we’ve heard they’re screening Viva, and there’s a trailer for the short documentary Cuba’s Violin on the Festival’s Facebook page. For more information, check the Festival’s website.