“When I realized we’d hit the five-year mark, I couldn’t believe it,” says Cuban Art News publisher Howard Farber. “And then I counted up the articles we’d published since we began—close to 500—and I realized that we’ve been a part of the scene for quite a while.”
On December 3, 2009, Cuban Art News went online with a short article about the 21st Havana Film Festival—followed, in short order, by stories about Carlos Varela speaking in Washington, DC, an exhibition in Havana of photos by Tina Modotti, a Cuban photo show in Valencia, and Los Carpinteros’ participation in a group show in San Diego.
That first month, we covered Carmen Herrera’s winning the Cintas Foundation Prize, Carlos Garaicoa’s participation in an exhibition in Córdoba curated by Gerardo Mosquera, an Afro-Cuban women’s drumming group, and José Bedia’s solo show in Andalusia, among other topics.
Since its launch, Cuban Art News has seen its audience expand dramatically, online and on social media. “We’re read in 171 countries,” says Farber, and have doubled our readership year over year.”
“Cuban Art News was created to share Cuban art and culture, not with academicians and experts, but with general readers,” says Havana-based editor Abelardo Mena. “We’re interested in communicating the artists’ personal visions, their creative processes and contradictions. So we often use interviews, and photo walk-throughs in which artists comment, in their own words, about their works.” Mena’s co-editor in New York, Susan Delson, agrees, adding that another goal of Cuban Art News has been “to present Cuban art and artists in an international context, and to increase the visibility of Cuban art in the global art-world discourse.” In New York, Delson is joined by contributing editor Nadine Covert, who, in addition to general topics, specializes in film and video.
As a first look back to 2009, here’s a reposting of our first story on Factoría Habana. Over the years we’ve covered many exhibitions there, including the group show Metáforas del cambio (Metaphors of Change), 2012; the solo show by Tonel, El viaje (Paredes que hablan) – The Journey (Talking Walls) in early 2013; El ardid de los inocentes (The Cunning of the Innocents), featuring young and emerging artists, also in 2013; and most recently, La utilidad de la Historia (The Utility of History) 2014.
Originally published on December 23, 2009, this story–much shorter than current Cuban Art Newsarticles–reports on the gallery’s opening and its first show: a group exhibition titled Antecomienzo(Before Beginning).
Factoría Habana Opens in Cuban Capital
New art center focuses on current contemporary Cuban works
Factoría Habana, a new cultural center in the Old Havana section of the Cuban capital, opened on December 18 with Antecomienzo (Before Beginning), a group show that will run through April 2010. The show features artists who emerged in the 1990s and have since gained international reputations, including Lázaro Saavedra, Fernando Rodríguez, Abel Barroso, Ibrahim Miranda, Carlos Montes de Oca, Luis Gómez, Sandra Ramos, Osvaldo Yero, Aimée García and René Francisco. Though the works in Antecomienzo draw on a variety of creative approaches, they reflect a trend toward social conscience shared by many artists of their generation.
Factoria Habana is located at 308 O’Reilly Street, between Habana and Aguiar. Conceived as a project of urban and artistic recovery, the center is sponsored by the Havana Historian´s Office and Spanish curator Concha Fontenla. Factoría Habana’s goals include promoting the latest Cuban art as well as fostering the interaction of contemporary art with new technologies, sound and sensorial experimentation, industrial design, performance, and urban art.